
Elisabetta Sirani
Elisabetta Sirani: Reinventing the Female Artist in Baroque Italy explores the formative years, career, and legacy of one of Baroque Italy’s most influential and successful artists. Born in the vibrant northern Italian city of Bologna, Elisabetta Sirani (1638–1665) produced upwards of 200 works in her brief, but substantial career. After inheriting the studio of her father and tutor, Giovanni Andrea Sirani, Elisabetta founded the first school of painting for women artists in Italy. Renowned across Europe for her extraordinary technical skill, Sirani transformed her studio into a flourishing center of artistic production and intellectual exchange. Working primarily in the tradition of the Bolognese School of painting, she elevated historical, religious, and mythological subjects centering powerful, complex female antique heroines, while welcoming international patrons to witness her process firsthand in her studio. She would further hone the skill of self-portraiture, a technique she would use to expand her notoriety across all of Europe. Despite her untimely death at twenty-seven, her commitment to the artistic training for women permanently reshaped the cultural landscape of seventeenth-century Italy. The gallery showcases Elisabetta Sirani’s work spanning across her formative years as a student, to her rising career as a successful painter and teacher. To further contextualize Sirani’s artistic lineage and lasting impact in the Baroque period, the works shown in this gallery situate her works alongside paintings by key figures in her life and career. Visitors will see the works of Guido Reni, the Italian artist whose classical style deeply influenced Sirani’s works, as well as paintings by her father and first teacher, Giovanni Andrea Sirani, whose studio would become the central ground for Italy’s first women’s only art academy. Alongside these foundational influences are paintings by Sirani’s talented pupils and peers, including the posthumous works of Ginevra Cantofoli and her younger sister, Barbara Sirani following her death. Together, these works illuminate how Elisabetta Sirani’s technical and artistic brilliance defied the gender conventions of Italy, cultivating a thriving community of female artists whose achievements endured well beyond her lifetime.
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The Penitent Magdelene
Oil on canvas · Baroque

Portia Wounding her Thigh
Oil on canvas · Romanticism

Lucretia
Oil on canvas · Neoclassicism

Timoclea Kills the Captain of Alexander the Great
Oil on canvas · Romanticism

Saint Cecilia
Oil on canvas · Romanticism

Saint Agnes
Oil on canvas · Rococo

Virgin and Child
Oil on canvas · Baroque

Portrait of Elisabetta Sirani
Oil on canvas · Baroque Portraiture

Judith with the Head of Holofernes
Oil on canvas · Baroque

Esther before Aharsueras
Oil on canvas · Baroque

Self-Portrait as a Sibyl
Oil on canvas · Romanticism

Self-Portrait as Allegory of Painting
Oil on canvas · Baroque Portraiture

Self-Portrait
Black and red chalk on paper · Old Master Drawing

The Rest on the Flight into Egypt
Etching on paper · Old Master Engraving
Elisabetta Sirani
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