Orbit of Splattered Color

Two companion abstract studies are presented vertically, one on a deep black ground and the other on white paper. Bursts, drips, sprays, and dragged marks scatter outward from denser central passages, where loose gestures suggest motion without settling into recognizable forms. The upper work feels like a vivid nocturnal constellation, while the lower sheet opens into a turbulent field of blue, crimson, violet, and black. Together they emphasize energetic process, spontaneous mark-making, and the physical liveliness of poured and flicked paint.